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American slow to understand the global village,
broadcast panelists say
By Matthias
Petry
It does not matter if you go to the Middle East, South America, Africa
or even Europe. Lately, nobody seems to like the United States, especially
after its attack on Iraq.
A variety of prominent foreign journalists and American filmmakers
discussed the role of the media in this conflict during two real-time
interactive seminars from the Museum of TV and Radio in New York that
were broadcast to American universities, including Utah State University.
The first seminar, on Monday, discussed how foreign journalists portray
the United States; the main issue of the second seminar Tuesday was
the influence of American popular culture on foreign countries and their
culture.
Mark Damazer, deputy director of BBC News UK, said Monday that the
"anti-American situation" at the moment is nothing new and
that the United States has gone through a lot of popularity crises since
World War II. He named as examples the 1956 Suez crisis, Vietnam and
the era of President Nixon, who "made President Bush look like
Tops of the Pops," he said.
He added that the rest of the world should become more realistic and
realize that an "American solution" is not suitable for every
single problem.
A main issue of the discussion was of course America's foreign
policy and also the attitude of the American people toward foreign countries
and their knowledge of them.
Lauren Cohen-Tanugi, a French author and columnist, said that the United
States is lacking behind in terms of political globalization.
"It seems like that the United States have not realized that the
world is politically global. . . . And so there's a gap between this
sort of very U.S.-centric aspect of foreign policy and its international
implication. So, somehow U.S. foreign policy has to become more international
in a way," he said.
Akwe Amosu, producer of allAfrica.com, raised the question if and how
the American population wants to engage with the rest of the world.
"It is a great surprise for a non-American to come here and discover
just how little is known about the outside world. . . . It seems to
me that if the United States is going to take such an aggressive role
in other parts of the world . . . Americans here need to know an awful
lot more about those places so that they can evaluate the actions of
their government," she said.
Reinhard Meier, editor of the Swiss newspaper Neue Zuercher Zeitung,
disagreed, saying that "if you really want to be informed, you
can be. There is a factor of personal responsibility; you cannot blame
the government for that."
In general, everybody agreed that most of these issues always have
two sides -- for example that the United States is just as much influenced
by other cultures than they influence other cultures or that American
products have to be heavily adapted to the respective market, such as
McDonalds food in India.
On Tuesday, three American filmmakers then discussed the influence
of American popular culture such as movies, music and TV series on foreign
countries and their cultures.
Joan Ganz Cooney, creator of Sesame Street, talked about her
problems with politics when she started a Sesame Street-like
program in Israel, Jordan and Palestine whose goal was "to teach
children to see and respect differences and similarities," she
said.
Charles Stuart, director of the documentary "Hollywood and the
Muslim world," shared his experiences when he interviewed people
for the film in Lebanon, Egypt, Kathar and Northern Iraq.
"In a faith which doesn't even like dating, you can imagine
what the weight is of American sitcoms which deal with homosexuality
and premarital sex." he said.
The discussion also raised the question if American pop culture is
"taking over the world." Everette Dennis, media professor
at Fordham University, said that the total percentages of American TV
series are actually going down, despite the "enormous bombardment
of American content going everywhere in the world," he said.
A main problem of exporting American pop culture is the simultaneous
export of certain values that might not be an acceptable way of life
in certain cultures.
Stuart said that he believed in "pumping it all out there. Hollywood
doesn't make these films with an international audience in mind.
. . . If you don't like, turn it off. Or, as I like to challenge
people, not only turn it off, go and make something better."
A good example for an American export that has been sensitively adapted
to the "target culture" is Radio Sawa. It is a American-style
radio program broadcast in Arabic throughout the Middle East that plays
American as well as local music and news.
So, both seminars discussed several aspects of American influence in
other cultures at length and came to the conclusion that there are two
sides to this story and that the export of American culture and values,
contradicting its reputation, can also have good effects in the recipient
cultures.
If you are interested in tapes of these seminars, please contact the
USU journalism and communication department at (435) 797-3293.
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