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What hath Barbie wrought? Professor's book
explores stereotypes and body issues
By Hilary Judd
and Myrica Hawker
Brunette Barbie: the only Barbie with a brain.
Birkenstock Barbie: the only Barbie with horizontal feet and comfortable
shoes.
Dinner Roll Barbie: features love handles, a bucket of chicken and
oversized sweats.
While they may not be marketed by Mattel in the near future, such folklore
reinforce the Barbie phenomenon -- notorious stereotypes and body image
issues.
USU Director of Folklore Jeannie Banks Thomas profiled this phenomenon
and her new book, Naked Barbies, Warrior Joes and Other Forms of
Visible Gender, Wednesday at the Haight Alumni Center, to an audience
greatly outnumbering the available chairs.
"[The book] represents many hours of field work and research,"
Thomas said, "and currently retails for less than a lot of lines
of Barbies."
The book studies three aspects of "visible gender," or
images that are the most common ways we see gender in everyday life,
Thomas said. Yard art, supernatural legends and children's folklore
are the forms Thomas outlined, as well as how each affects our visualization
and response to gender today.
Barbie engenders the same images today as found in centuries-old cemeteries
and fine art. Thomas has visited more than 50 cemeteries in North America
and Europe, where she found the "eroticized, body beautiful image"
in many of the female statues.
"Semi-naked women in the cemetery -- what's that about?"
Thomas asked.
The predominant male image in cemeteries was "the aggressive
warrior, the soldier." This same image emerges in American society
through the popular action figure G.I. Joe.
Stock gender images of men as soldiers, as well as sensual, half-naked
women, continue today in yard art, Thomas said. Plastic pink flamingos,
"wooden peeing boys," tin Christmas soldiers and other forms
of yard art are most popular in the Midwest.
Barbie, born in 1959, was the brainchild of Ruth Handler, one of the
founders and directors of Mattel. Handler was also a mother, and she
watched her children, Barbara and Ken, play with paper dolls. She noticed
the dolls were a step up from baby dolls, and wanted to create an "adult
doll" for kids, which could help girls learn grooming skills and
deal with body changes.
"This doll would have breasts," Thomas said, quoting Handler's
concept, an idea causing Mattel board members to "freak out."
The Barbie controversy about body image continues, which Thomas says
is legitimate. Women have a 1 in 100,000 chance of looking like Barbie,
while men have a 1 in 50 chance of looking like Ken. While G.I. Joe
began in 1964 with realistic body proportions, today's G.I. Joe Extreme
model features bigger biceps than any bodybuilder has yet accomplished.
"He's projecting body images to young boys that are unattainable
. . . you have this enduring figure of a warrior for men," Thomas
said, which may account for why a war-mongering, faux body image-promoting
G.I. Joe toy receives less heat than a disproportionate, blond bombshell
Barbie.
The war hero doesn't face a gender double-standard, Thomas said. He
can be packaged and sold as a Nazi -- as he was in the 60s -- with little
notice or outcry.
But Barbie's every hairstyle and hemline make headlines.
"For everything you could think of, there's a Barbie,"
Thomas said, listing a few "Barbies We'd Like To See,"
such as Blue-Collar Barbie, Crack-Addict Barbie, Graduate School Barbie
and Hot Flash Barbie.
Mattel used innovative marketing when introducing Barbie by advertising
to children. The toy giant now markets to adults, playing on nostalgia,
such as the "Dolls of the World" line.
"She seems to fascinate us in all levels of culture," Thomas
said.
Obviously so. Mattel sells two Barbies every second.
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