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Friday, September 9, 2005


Scene: Calvin and Hobbes are reading the newspaper.

Calvin: "I like following the news! News organizations know I won't sit still for any serious discussion of complex and boring issues. They give me what I want: Antics. Emotional confrontation. Sound bites. Scandal. Sob stories and popularity polls all packaged as a soap opera and horse race! It's very entertaining."

Hobbes: "Then commentators wonder why the public is cynical about politics."

Calvin: "You can tell this is an in-depth story because it's got an article next to a chart."

--Calvin & Hobbes by cartoonist Bill Watterson, 2005

 

'The Crucible' at UFOC a lesson for all times

Kristopher Irmiter stars as John Proctor in The Crucible. / UFOC photograph

By Shauna Leavitt

July 12, 2005 | The misuse of fear has often been the cause of human suffering and false judgments.

A powerful portrayal of the exploitation of fear is the operatic adaptation of Arthur Miller's The Crucible, which is part of Utah Festival Opera's (UFO) 2005 season.

The production has the power to stir the soul if a person is willing to put forth the effort. By listening to the music and carefully pondering the words, the observer may understand Miller's underlying message.

"The Crucible is gripping . . . it will grab your heart. If you come and really listen without any expectations you'll feel it," said patron Tammy Rodeback.

Miller wrote the play during the anti-communism/Cold War period when many innocent people were accused of being communists and suffered the consequences.

Miller was concerned that the people of the United States were losing their integrity.

What is integrity worth? What sacrifices should be made by citizens to maintain the integrity?

These questions are addressed in The Crucible. Those coming to see a light-hearted musical will be disappointed.

"It is not a piece you would listen to while relaxing and drinking coffee…the story is not (only) timeless but incredibly important today . . . people are still being unfairly judged," said Barbara Day Turner, conductor of Annie Get Your Gun and Turandot.

"I hope people are not scared away (by the deep message). There is also great human drama and glorious performers," said director Jack Shouse.

To help the audience prepare for the message, Michael Ballam, general director of UFO, provides a thoughtful introduction to Miller and his play before each performance.

On opening night, when the performers portraying the villains came out to take their final bows they were greeted with clapping and boos -- their characters were so strong. One patron said she wished she could have jumped on the stage, shouted out the truth and freed the innocent.

For show times and tickets see UFO's website at http://www.ufoc.org/ or call 435-750-0300 ext. 106.
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Copyright 1997-2005 Utah State University Department of Journalism & Communication, Logan UT 84322, (435) 797-1000
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