My short but stellar career as a rock star in Blind Iris
By Jon Perry
December 21, 2005 | In the summer
of 2003 I became convinced I was going to become a rock
star. And why wouldn't I? My band, Blind Iris, had just
found out our song "Drive" was going to be included
on the new Tony Hawk video game, which
was expected to sell millions of copies worldwide. A
big accomplishment for a six-month-old band based out
of Logan, Utah. With so much momentum, my band mates
and I couldn't see any way we wouldn't be the next overnight
success in the mainstream music world.
There are a few questions you are probably asking
right now. First, how did Blind Iris get on the Tony
Hawk game? Second, what happened to the band when the
game was released? And third, is the band still together?
To answer these questions it's easiest to go back to
the beginning.
Blind Iris was formed when Tyler Forsberg (drummer)
and I, Jon Perry (singer), members of a popular local
folk/rock band named Eggs Blackstone, joined forces
with Scott Donovan (guitarist) and Jeff Erickson (bassist),
members of a local jam band named Lt. Dan. Along with
guitarist Rhet Perrott, the five of us set our sights
on starting a hard rock band aimed at making it big.
"We decided we needed to quit our old bands," said
Forsberg, "because we knew we could never make it if
we weren't completely focused on the new project."
To create momentum, we booked a show at The White
Owl three months in advance. Using that show for motivation,
we began to practice three or four times a week. It
was during this time that I met local rock guru James
Shook, lead singer and guitarist of Jen Shin, a local
reggae band. He recommended we use ASR Studios in Avon
to record our music. It was also during this time we
decided to press some stickers to get people excited
for our first show, but first we needed a name.
"Perrott suggested Blind Iris," said Donovan. "For
lack of a better name and time constraints, it stuck."
Our first shows were rough. People came expecting
to hear slightly altered versions of our old bands.
Instead they got a whole new blend of high intensity
rock n roll.
"Our first gig at the White Owl was pretty raw," said
Perrott. "In fact we probably sounded like s---, but
we were only three months old and trying to fill a three
hour show." We continued playing shows and writing,
despite the lukewarm response from the public.
In early May we made our first trip to ASR Studios.
It was there we met owner Ned Allen. Allen had been
in the local music industry for years and had previously
owned his own label, Holliday Records. This was exciting
for us because his label had once included Jerry Joseph and the Jack Mormons, a band
we all liked. With the help of Allen and James Shook
we recorded our first demo. Allen liked what he heard
and became a supporter of Blind Iris, as well as a good
friend.
Erickson soon announced he was moving to Boise. We
then faced the challenge of finding a new bass player.
After a few auditions we decided on Spencer Allred,
a seasoned veteran in the local music scene. Within
two weeks, Allred introduced a bass line during practice
that evolved into a new song. Around this same time
Forsberg announced he had talked with a Radio DJ in
Denver who said to send him one of our songs and he
would try to play it on the radio. We wanted to send
something fresh so we went back to ASR Studios to record
Drive.
During the Drive session, Allen told us he had a good
friend who was one of the owners of the software company
Neversoft. Allen told us he felt our song Hard
Track would be a good song for the upcoming Tony Hawk
soundtrack and that we should burn a CD with Hard Track
and a couple other songs on it and he would send it
to his friend.
"We thought that Ned was pulling our leg." said Perrott.
"We'd all played Tony Hawk Pro Skater games and didn't
think there was a snowballs chance in hell we would
ever get our song on the game."
In mid-July I received a phone call from Donovan.
"I have big news," he said with excitement in his voice.
"Neversoft picked Drive to be on their new game."
I was in shock. In a heartbeat my unrealistic music
dreams seemed to be coming true.
As I found out more about the game it made sense why
they had picked Drive. First, unlike the previous four
games in the series, Tony Hawk's Underground (THUG)
was a reality-based video game. For the first time,
the user would be able to get off their skateboard,
drive cars, climb buildings, and do other things to
improve their status while their world cycled through
night and day. If you listen to the lyrics in Drive
you'll see they go along well with the theme of the
game. Second, the soundtrack focused more on underground
bands, going along with the title of the game.
Over the next three months we did a lot of waiting.
We took the semester off from school and didn't book
any shows because we figured we would have to pick up
and leave when a label picked us up and put us on tour.
We set up a website and sent out press kits to nearly
a hundred different labels. The response was almost
always the same. Labels weren't signing bands because
the music industry was in a slump, or rock music wasn't
selling unless it was Emo Emo or Screamo. Still we figured when
the game came out in late October we would get signed.
By December we had recorded a full album and announced
our big break to the local press, which included stories
in the Herald
Journal and Utah State's own Hard
News Café. The release of the game had boosted
hits to our website, but we still didn't have a label
and we'd only played a couple of shows in the last six
months. We decided to quit waiting for our next big
break and make it happen. We started booking shows and
even signed up for City Weekly's annual Showdown
to Austin held in Salt Lake City.
The Showdown to Austin is probably Utah's biggest
battle of the bands contest. Around 60 bands from all
along the Wasatch front signed up. The bands then played
in three separate shows, each time competing against
four other bands. The winner of each show moved one
show closer to winning the grand prize, an all expense
paid trip to the South by Southwest Music & Media Conference
in Austin, Texas.
Blind Iris won the first two shows we competed in,
earning us a trip to the finals at Port O' Call. During
those shows we met numerous people in the Salt Lake
music industry including Neal Middleton, lead singer
of the popular band Royal
Bliss. A guest spot on Fox 13's morning show two
days before the finals, conveniently during the Sundance
Film Festival, also helped build our confidence that
someone was going to contact us and offer us a lucrative
deal.
"We were really starting to think we had it in the
bag," said Forsberg. "Everything just seemed to be falling
in place, from the people we met to the exposure we
were getting."
On Sunday, January 18th, we met in our band shed before
driving down to the\ Showdown finals. "I remember we
all seemed a little stressed out," said Allred. "We
knew we wanted to win but I think the pressure was finally
getting to us."
At 9 p.m. we opened up the show that we felt would
either make us or break us. I remember putting everything
I had into it but never really feeling the confidence
I had during the previous to shows. Regardless, I felt
pretty good about the performance overall. We watched
for the next three hours while the other finalists competed.
When they were done we waited for the results to be
announced.
Gina from X96 announced the final standings. "Third
place goes to Rune." The crowd applauded as I blew out
a sigh of relief. "Second place goes to the Matt Lewis
band." Once again the crowd applauded as I thought to
myself "we are going to win." I felt my body tingle
with delight as I remembered all of the hard work and
sacrifice we had made to make this work. "Finally it's
all going to pay off!"
"First place goes to Kelly V." The crowd went crazy.
Every tingle I had in my body moments before went ice
cold. I felt like the brightly lit elevator of hope
in which I had blissfully riding suddenly went black,
and rapidly fell to the ground. We had come all this
way just to get fourth place. The band was demoralized.
Driving home that night I could have sworn I could
hear someone laughing at me. In the V for Victory article
in the next City Weekly my suspicions were confirmed
-- God Bless Bill Frost.
Looking back on that night, I see it was the last
time I thought I was going to be a rock star. In fact
I think it was the last time I wanted to be one. Our
band as a whole began focusing more on the music and
less on the dream of going big. We released our first
album and played shows all around Utah and surrounding
states. We all agree the shows we've valued the most
have been in the Logan and Preston areas where we were
in the company of good friends.
In April of 2005, we decided to call it quits. The
reason was simple. We just didn't have the time anymore.
Blind Iris fans will be happy to know that in March
of 2006 we plan on releasing a new album and playing
a few shows for old time's sake. The album is will be
pretty much the same story you just read, just sung
in time to pounding drums, sonic bass lines, and melodic
guitar work.
NW
MS |