Old Lyric winding up a season of professionalism and
fun
By Liz Lawyer
August 3, 2005 | Although it's only
a small-town theater tucked in Cache Valley, the Caine
Old Lyric Theater has all the charm and clean-cut professionalism
of an off-Broadway theater.
The Caine Theater, home to the Old Lyric Repertory
Company, was built in 1913 and has a turn-of-the-century
feel to it, with red velvet seats and its very own ghost
named Everett, who has a fetish for country music, said
Jeremy Gordon, public relations manager for the company.
"Rumor has it there's a body buried under there,"
said Katie Ackerman, a student performer with the company,
tapping her foot on the cement floor of the men's costume
room.
The legend fits well with one of the shows running
this summer at the OLRC, Arsenic and Old Lace,
in which Ackerman plays Elaine Harper. The American
classic by Joseph Kesselring is about two matronly women
who perform charity by ending the loneliness of old
men -- with poisoned elderberry wine -- and then burying
them in the cellar.
Also showing at the Caine Theater are You Can't
Take It With You, The Fantasticks and Tennesee
Williams' Cat on a Hot Tin Roof. All four were
hits when they premiered in New York City on- and off-Broadway.
The OLRC has its last shows of the season this week.
Cat on a Hot Tin Roof shows Wednesday, The
Fantasticks shows Thursday, Arsenic and Old
Lace shows Friday, and You Can't Take It With
You shows Saturday. Curtain time is 8 p.m. each
night, with an additional matinee performance at 2 p.m.
for the Saturday performance of You Can't Take It
With You.
Besides Arsenic and Old Lace, Ackerman also
has roles as Gay Wellington in You Can't Take It
With You and Mae in Cat on a Hot Tin Roof.
The OLRC maintains close ties to Utah State University.
The creative director, Colin Johnson, is the theater
department head at the university. The OLRC also allows
theater students to perform, which gives them a chance
to work with professional actors.
Professional actors, some of them members of the Actors'
Equity Association headquartered in New York, come from
all over the country to perform with the company.
"We usually get two or three guest artists, usually
from L.A. or New York. There's a few actors every year
from Salt Lake, Wyoming -- regional actors -- and smaller
roles are usually filled by students and local actors,
so it's a mix," said Gordon.
Ackerman said the mix of amateur and professional
actors adds a different element to the theater.
"The actors are very willing to share their ideas
with us," Ackerman said
Tyson Smith, a professional actor who graduated from
USU, said the OLRC is a "nice, laid-back company
to work for" compared with other theaters he's
been involved with. Plus, he said, getting paid helps
make long rehearsals less of an imposition and less
irritating, as opposed to student theater, where "not
getting paid makes for angry, bad times."
Smith's roles this season include Ed in You Can't
Take it With You, Matt in The Fantasticks,
and Officer O'Hara in Arsenic and Old Lace.
Smith said working with older, more experienced actors
was not that different from other companies.
"After a certain point it doesn't feel that different.
We don't revere them, we just talk about Mickey Rooney
instead of Hilary Duff," he said.
Ackerman and Smith agreed that compared to student
theater, the professional company has increased dedication,
intensity, and efficiency. However, mishaps do happen.
For example, during the final dress rehearsal for You
Can't Take It With You, a special effect set off
the smoke alarm, driving the actors to the safety of
a back alley.
"It's a mixture of a high degree of professionalism,
and creative energy, and chaos," Gordon said. "Everyone
is so passionate about it. I like the fact that everyone
takes so much pride in their work. I like the fact that
come crunch time everyone is stretched so thin, that
all of that fire and energy comes to a point and it's
just passionate. I just like that breaking point right
before, when everyone is going non-stop."
Having four shows crammed into one theater only adds
to the chaos. Backstage, four sets are lined up along
the walls, and in the basement two rooms are stuffed
full of costume racks. In the actors' dressing rooms,
wigs line the counters and make-up charts are pinned
to the mirrors. But mayhem is an inherent part of theater.
The Lyric phantom, Everett, is fabled to have been
an actor performing as the second gravedigger in Hamlet.
The first gravedigger was jealous because he wasn't
getting as many laughs as Everett, and one day the second
gravedigger stopped showing up for performances, and
the first gravedigger had a new skull for his scene.
Now Everett sits on the right side of the balcony to
view performances, occasionally calling out to actors
or technicians.
Tickets can be reserved by calling (435) 752-1000.
More information can be found online at www.usu.edu/lyric.
MS
MS |